A joyous night with Oliver, Fagin, and the Artful Dodger
Marie Clark Musical Theatre’s Oliver! is a perfect example of Adelaide’s vibrant community theatre scene. Rich with energy, warmth and heart, this polished production embraces the timeless appeal of Lionel Bart’s beloved musical and showcases the talent and dedication of everyone involved.
At the centre of this excellent show is Adam Goodburn’s outstanding performance as Fagin, the corrupt but charismatic leader of the children’s gang of thieves. Goodburn brings wit, charm, and a wonderful feeling of theatrical flair to the role, while also revealing the character’s more vulnerable side, playing with both humour and heart. He brings a wealth of experience to the role that shines through in his assured stage presence and great comic timing.
The vocal standard throughout the show is very good. From the principals to the ensembles, the musical numbers are delivered with confidence, expression, and strong musicality. These well-known songs are given fresh life through committed performances, while the young cast deserves particular praise for their enthusiasm, discipline, and infectious energy. There are two young casts, alternating at the different performances, and all are delightful. It’s always hard to take your eyes off the smallest members of the cast, they are such fun to watch and so adept with their singing and choreography. Full credit goes to their singing and drama teachers and the show’s choreographer Eloise Morriss, who is also co-director. The young ensembles bring authenticity and vitality to every scene, creating a lively Dickensian world that feels joyous and full of life, even though they are the poorest little street urchins.
The 15-piece live orchestra is another standout feature, playing under conductor and musical director Jaxon Joy. The musicians perform the memorable score with precision and style, providing a rich musical foundation that enhances the action on stage. The balance between the musicians and the performers is excellent, allowing both the music and vocals to shine – it’s just a shame we can’t see them.
The production values are consistently impressive from the opening projections, to the smooth set changes and good pacing. The strong direction, by Morriss and Lucy Trewin, ensures the story flows effortlessly between its lively ensemble scenes and quieter, more intimate moments, achieving a good balance of humour and emotionality. All the key elements, including choreography, costumes, lighting, music, and set work together seamlessly to ensure it doesn’t lose its momentum.
What is really impressive here is the strength of the cast as a whole. While the principals are all strong, there is a genuine sense of the ensemble throughout, with each performer contributing meaningfully to the storytelling. That shared commitment creates an atmosphere of warmth and joy that extends beyond the stage.
Rating: FIVE STARS!
